Rhythm It is a term that comes from rhythmus, a Latin word. It is the order that, according to what a compass marks, coordinates a succession of things. Musical , meanwhile, is what is linked to the music .
He musical rhythm , therefore, is a force or a movement formed by a certain succession of sounds . It can be said that the rhythm of music consists of cycles that are repeated in time intervals .
The notes and the silences They are presented along a melody and define the rhythm of it. In the rhythm, the repetition, at certain intervals, of short, long, weak and strong sounds comes into play.
When we hear a song , the rhythm is the organization of pulses (a unit that measures time in music) and accents (the emphasis of a pulse) that we perceive as a structure of the composition. The rhythm can also determine the movement or dance associated with the musical composition.
The musical rhythm can influence the state of spirit. A fast-paced song will encourage movement, agitation and euphoria. Instead, a calm rhythm song will facilitate relaxation.
It is important to keep in mind that the same piece of music can house different rhythms . That is the case of the melody that includes slow and much more frantic moments. The musician must order all these elements so that the listener perceives the work as a unit
The process of learning Musical theory is one of the most interesting and one that divides society the most: almost all of us are born with the ability to perceive music and express it, each with its own particular abilities, but only a few carry this natural feature. step beyond and turn music into a series of complex concepts. It is curious that the term "rhythm" has such frequent use among such diverse groups of people, since all of them refer more or less to the same, and in turn to very different things.
For the music audience popular , the musical rhythm is something magical, inexplicable, that leads us to move and sing, something that is born with those people especially talented to dance; academics, meanwhile, often see the rhythm as an authority to which they must respect , or against which they decide to act in a way cheeky to inject into a work its own vision, its licenses, always applying other technical concepts that justify it. In short, when talking about qualifying a rhythm, some express their taste, while others label it according to a theoretical classification.
Despite these differences, all human beings who approach music, both those who do it for mere enjoyment and those who dedicate years of their lives to the study of their theory , establish a relationship with the rhythm of each melody that is difficult to explain or justify: those who bore us and those who fascinate us, all rhythms play something in us that awakens a reaction like no other.
As mentioned in a previous paragraph, academic music does not always respect the rhythm at random; On the contrary, this occurs more commonly in the popular one, especially when the bases are synthetic. However, the secret of good execution and effect that this cause in his listeners is largely in the mastery with which he takes the rhythm: if a melody captivates us and prevents us from forgetting it or stop listening to it, the instrumentalists have probably done a good job.